TWICE A YEAR (Januar y and June), YOUTH BABILONIA will explore the young international creative scene with more than 100 pages of Fashion and new models who, we are sure, will rock the scenes of Fashion. Created thanks to an idea of Davide Musto, the print&digital project aims to explore and experiment with different cultures, capturing the new generations in fashion.
Earth Day today turns 50, a half-century of love and union to save the earth.
“Mother Earth Day” was born on April 22, 1970, after a huge environmental disaster that caused the death of 10,000 animals: in 1969 a drilling platform in the Santa Barbara canal had caused an oil spill, almost 100,000 barrels of crude oil were poured into Californian waters. Thus the common duty was felt to call the whole world together to awaken consciences and urgently ask for environmental reforms.
All took to the streets to demonstrate and the rumors reached the peace activist John McConnell, the Wisconsin Senator Gaylord Nelson and the University student Denis Hayes, the trio that sowed the land of Earth Day. On that distant April 22, 1970, around 20 million American citizens responded to the appeal of Democratic Senator Nelson and mobilized in a demonstration in favor of the planet; marches with a “green” motto, conferences dedicated to environmental issues, educational and training messages for empowerment; from then until today, the people are proving sensitive to the cause.
But it is not enough, and now more than ever, closed in our homes to have exploited the environment and nature to our only and selfish advantage (isn’t this pandemic a warning?), we must demonstrate a serious behavioral change and celebrate Earth Day in digital format.
192 other countries around the world will coordinate for the event, scientists are giving us ultimatums with the warning that we will have just over 10 years to halve emissions and avoid the devastating effects of climate change.
Our country has created an exceptional schedule for the day, from Italy Earth Day which will be broadcast on Ray Play from 8.00 to 20.00 on April 22, 2020: 12 consecutive hours in which scientists, journalists, artists, institutional representatives and anyone who wants to participate will exchange tips and messages of hope and deepening in direct streaming.
All viewers will be able to interact via social media and the web platform (https://onepeopleoneplanet.it) using the hashtags of the day #OnePeopleOnePlanet, #CosaHoImparato, # EarthDay2020, #iocitengo, #VillaggioperlaTerra, #focolaremedia.
On the occasion of such an important event, we at Manintown, close and attentive to the theme of sustainability, environmental protection and love for the Earth, have collected a series of images taken by photographers and internationally renowned artists who have told, each with their own unique and recognizable style, the concept of beauty and man/nature relationship. The photographic project aims to be a space, a voice, a help, in line with the world event, aimed at human awareness towards Mother Earth, the womb from which we are born and arms in which we swim our life, a unique, immense gift, and valuable.
“I believe that from the human and personal suffering and tragedies that Coronavirus has caused, we should learn. We should (re)learn to listen to the signals that nature sends us. We should be aware of the fact that we are guests on this planet and that we are not the masters and that, as Pope Bergoglio says, “we cannot be comfortable on a planet that is bad.” If we take this opportunity, then we will have a good chance to start again towards a better future for us and our planet”.
The snowy and icy landscapes of Pietro Lucerni are silent expanses in which nature acts undisturbed, they are desolate and cold views waiting for the light to warm them up.
“Beauty was supposed to save the world and instead the world stopped. But nature doesn’t. We are frozen and she goes very fast on an Earth that blooms and grows relentlessly.”
Maria Vittoria Backhaus makes the plants of the earth, still life of stems, buds and leaves in black and white speak, a beautiful negative that waits to be colored and saved by a man.
A photographer known for his landscape and portrait decompositions made of Polaroid, Maurizio Galimberti takes us to deserted cities, made up of silences and headless men, where only the sheets dance freely. They look like the places of Covid-19, desolate nostalgic environments, the result of our imagination, places of memories made even more melancholic by the vintage effect of photography; cars on fire that warn us of the environmental disaster, blurred images as if they were going to vanish at any moment.
“Life and beauty can never be separated from real sensitive and deep listening to the world around us.”
This is how Emilio Tini, a fashion photographer who works daily with the human figure, describes his images.
In this series, man and nature are brought into a relationship, in harmonious and complementary coexistence, nature mixes with the body and becomes an extension of an arm, a hand. It is on the face of a woman that flowers bloom, in a complex, natural and essential relationship.
A continuous line that forms two worlds, that of man and woman, which come together in an infinite kiss. This is the world that Piero Gemelli would like; known and unknown worlds that have the common intent to love and respect each other. In the strong image of a naked woman, Piero Gemelli’s heart is made of earth, the one we come from.
He is one of the most famed photographers, editors and publishers. With titles like Dazed and Confused and Hunger under his belt, not to mention being a dog lover, strongly passionate for cinema and deeply in love with his wife, top model Tuuli, Rankin (John Rankin Waddel) has reached incomparable success since his beginnings in the early 90’s due to his unique personhood, and unmistakable style that’s powerful and always straight-forward. And yet, recently Rankin has rediscovered a new way to enjoy photography; one that focuses on thought-provoking imagery through spontaneity, and investigating the impact this can have on people. He has indeed inaugurated one of his most radical exhibitions of all: Less is more. Curated by Ulrich Ptak at Kunsthalle Rostock and conceived as a retrospective of his most controversial and experimental work, images have been printed in large scale, forcing visitors to really reflect on what they are seeing. Simply, you love it or you hate it. There are no half measures for Rankin, nor half emotions nor half answers.
What does the concept LESS IS MORE mean to you?
It means what is says on the tin; you get more out of seeing less. It’s a reflection on the way we consume imagery these days, bombarded with a flick and click, where seeing less for a moment may evoke more meaning.
What do you think about this entire obsession with appearance?
I find it very boring. It’s like we’re all trying to create our own brands. It’s sad, really.
What is real beauty to you?
My wife is real beauty.
What do you think about the phenomenon of curvy beauties?
Is it a phenomenon? It’s been round quite a while. I love women and men of all different shapes and sizes.
What’s the part of your job you enjoy the most?
I just love taking photographs. The actual taking of the pictures is what I get the biggest kick from.
What’s the trick of being a good photographer?
Not stealing anybody’s soul. I’m playful with people, but I don’t want to change their attitude. A photo is a self-expression, It has to be taken seriously and still not seriously at all. It’s you in front of the camera but I have to make you forget about it. It has to be momentous in itself because everybody is different.
Somebody you haven’t photographer yet is…?
Barack Obama. I’d jump at the chance to do a portrait of him.
Besides photography, what other passions do you have?
My dogs are a massive passion in my life, and also watching films.
If you weren’t a photographer what would you be?
A magazine publisher which I am as well.
Rankin’s ‘Less Is More’ is curated by Ulrich Ptak and will run until 28th February 2016 at Kunsthalle Rostock in Germany.