Italian cinema has never been so cool: Giancarlo Commare

Photographer and Talent Director Davide Musto

Production and styling Alessia Caliendo

Grooming Kemon

Location Teatro Brancaccio Roma

Special thanks to Romeow cat bistrot

Photographer’s assistants Dario Tucci, Riccardo Albanese and Valentina Ciampaglia

Stilyst’s assistant Andrea Seghesio

COVER total look COVER – Valentino

Giancarlo Commare was recently awarded at Venice 78′ with the Next Generation Awards of MANINTOWN; we can say that it wasn’t difficult to choose him, in fact, his own path revealed him as the best actor of the new generation of talents of Italian cinema. In recent years he has entered Italian homes with TV series such as “SKAM”, which have left a breach in the audience. He started as a dancer and then became an actor with a thousand facets as we can appreciate now in the cinema.

His performance in “Masculine Singular”, with the role of a gay guy who undertook in such a natural way that he could approach the user without superstructures, for this reason he was welcomed by the LGBT public with open arms.

I would call him a free actor, as he grows up with the roles he chooses to live, and this is the magic of cinema and for an interpreter it is the magic of life. Now we found him at the cinema with “Ancora più bello”, the sequel of “Sul più bello” alongside Ludovica Francesconi.

How do you feel in arriving in Venice, fare il red carpet, and be rewarded?

What do you ask me? How can I describe such a great emotion in two words. I had always told myself that I would never do the red carpet in Venice for no reason, just for the ambition to be there, and I waited for it to happen, and that’s all.

The only thing was that when I end up on the red carpet it all seemed absurd with amplified emotions. Now, however, I must say that just before lengthening the first step in front of the photographers, also because in doing the second step I was about to stumble, I felt a bit like what happens in movies when your whole life passes in front of you, this is what happened to me at that moment.

And what did you see?

Everything from the beginning, like an unfolded coil, from when I was a waiter, to when I cleaned the toilet of the restaurant at the end of the night, my childhood, the sacrifices, there were moments where I really had nothing inside the refrigerator and when I opened it it echoed.

I also thought of my father, with whom I don’t have a tie. I must say that were the worst things that surfaced in those moments, fortunately it lasted a moment, also because then I realized that it was my turn and it was my turn to smile at the photographers.

For the first time in my life I said to myself: Giancarlo, Giancarlo, you deserve it, go!

Why did you say only then such a phrase, you’ve already achieved several goals…

That’s just me, I’m really pretentious to me and everything I did was never enough, inside me I always heard the voice that said, you need to do more, it isn’t enough, and for this reason I’ve never enjoyed the merits I’ve been given or that I’ve taken.

Even during this last year, where many things happened, it’s like I didn’t have full consciousness.

I’ve experienced Venice as a light on all my work in recent years.

We can say that you have been a privileged, ‘cause between a lockdown and the other you have never stopped

I am surprised too, but apart from the first two months where we all stopped, then I resumed immediately, and before the pandemic it was exactly twenty-five months that I worked non-stop.

In some moments I acted on four different sets at the same time without even realizing it.

And now you also enter the sequel of “Sul più bello”.

That’s right, in three months we shot both sequels “Ancora più bello” and “Sempre più bello”.

I must admit that it was a complex for me on a personal level, I was going through a difficult time e and shooting two films together I think it is never easy, in addition, I had to complete other works and, at the end, I always found myself on the train commuting between Turin and Rome.

Channing Tatum and his first time directing in “Dog”

We’ve seen and enjoyed Channing Tatum in many films, but surely no one has forgotten Magic Mike, which turned a rising actor into one of the most popular Hollywood stars.
Born in Alabama, he has been a model, dancer, film producer and now, for the very first time, director for his new film Dog, where he plays the leading role. He chose and approached this production because he has always felt a strong bond with dogs and, when his own dog passed away, he was offered the project. It was almost impossible not to get involved in the direction of the film.

Channing Tatum Dog
Channing Tatum in a scene of “Dog”

Interview with Channing Tatum

What do you think about the relationship between humans and dogs?

Dogs have a strong presence as they give you everything they have unconditionally and always stand by your side. We will probably never know if they have an idea of the future, how much and if they think about the past, however, every time the owner comes home it’s like the first time. It doesn’t seem to matter at all. I could go out for thirty minutes and then Cutie, my new little one, is like: “oh my goodness, you’re back”. 
I think dogs remind us that joy can always come over; as human beings, we focus way too much on the past and the future, but we can only really experience joy in the present. I think humans, in some ways, love them for that reason.

Channing Tatum film 2022

Tell us about the story of your road movie Dog.

What my character, Briggs, really needs is a recommendation, to make his captain call the diplomatic security company and vouch for him, saying he’s a good soldier. To achieve this aim, he takes Lulu with him on a road trip from the Pacific Northwest coast to the Mexican border. This operation won’t be quite easy, as if it were enough to put a dog in the car and just leave, well, it’s not exactly like that. Animals like these require a special treatment to say the least, so we’ll see them fighting all the time. However, if Briggs manages to accomplish his “mission”, taking Lulu to a funeral without collateral damages, then he will get the recommendation.

“The real challenge is convincing the dog that it is all a game”

Channing Tatum director

What are the similarities between your character and Lulu?

They are both quite “crazy”, indeed, they will definitely get along until they can’t do without one another. Dealing with two stubborn characters, always about to clam up and clash, is like having fuses ready to explode, in other words, they are a true powder keg that can blow up at any moment. There’s a moment when Briggs and Lulu grab a sort of stuffed unicorn, which wouldn’t stay still if one of them let go and anything could happen in an instant.
It’s really funny because they’re the same, the only difference is that one is a dog and the other is a man.

What’s the real challenge when acting with a dog?

There is a scene in the car when I’m driving really fast and Lulu basically goes crazy, so I open the door, yelling at her, almost aggressively, and that poor animal looks at me as if to wonder what I’ve done to make her yell, pulling her ears back. This broke my heart, because we are very good friends, really.
Each one of us on set had to reassure her and to confirm that we loved her. The real challenge is convincing the dog that it is all a game.

Opening image: Channing Tatum on the set of “Dog”

The (in)visible thread of Francesco Gheghi

Born in Rome on 19 August 2002, Francesco Gheghi is a promising young actor in the Italian movie scene, who in only a few years has already worked with some of the most famous Italian actors, and always in leading roles.

Francesco Gheghi
Jacket Antonio Marras, shirt Comeforbreakfast, rings stylist archive

He’s just finished shooting the upcoming film “Piove”, and the film “Il filo invisibile” was just released on Netflix, where he stars as Leone, the teenage son of two fathers. In May, the TV drama “A muso duro” will air on Rai, telling the story of the first Paralympics held in Rome in 1960, in which Francesco plays the role of a paraplegic athlete. In real life he loves sport: he enjoys swimming, playing football, skiing, biking and rock- climbing.

The words of an old Jovanotti song come to mind while we talk: “Sono un ragazzo fortunato, perché mi hanno regalato un sogno…” (I’m a lucky guy, because they’ve given me a dream…”). And this is precisely Francesco Gheghi, a young professional with a great deal of drive to grow, to learn from older, more experienced colleagues, a young adult who’s grateful for his dream having come true: “being in all the scenes”.

Francesco Gheghi actor
Jacket Edmund Ooi, pants Ramzen, ankle boots and rings stylist archive
Francesco Gheghi Netflix
Jumpsuit Comeforbreakfast, rings stylist archive

“I started acting in elementary school” he tells me during our interview. “My first role was of Saint Francis: not because I earned it, but because my name was Francesco. That’s when I discovered that I liked acting. I graduated high school last year, which was an accomplishment.

Francesco Gheghi Instagram
Jacket Roberto Cavalli, rings stylist archive
Francesco Gheghi series
Jacket Edmund Ooi, rings stylist archive

I had missed so many days of school because I was shooting on the set of two movies, ‘Il filo invisibile’ and ‘Piove’. But it was very important to my mom that I earn my diploma. I got lucky though, since due to Covid the exam was held without a written part. I had a rather winding path through school, as I first began at a linguistic high school, thinking that speaking many languages would be useful for my acting career. But I didn’t like it so I switched to a sport science high school, because sport is another passion of mine. I didn’t like that one either. So finally I enrolled in a human sciences high school and found I was interested in the subjects. I also had good grades”.

Francesco Gheghi style
Blouse Comeforbreakfast, rings stylist archive


Talent Francesco Gheghi

Editor in Chief Federico Poletti

Text Alessia de Antoniis

Stylist Alfredo Fabrizio

Photographer assistant Valentina Ciampaglia

Stylist assistant Federica Mele

Grooming Eleonora Mantovani @simonebelliagency

Location NH Collection Roma Palazzo Cinquecento

Discovering the savvy angel Anna Ferzetti

Anna Ferzetti actress
Dress stylist archive, shoes Roger Vivier

Anna Ferzetti stands out among Italian actresses for her delicacy and elegance. As the daughter  of the great actor Gabriele Ferzetti, she began breathing in the scent of art right away, a gift that she has cultivated with commitment and devotion.

Step by step on her tippy toes, Anna has created a significant space for herself in the world of entertainment. With a filmography including few, carefully selected projects, in recent years the actress has set herself apart as a personality worthy of interest within the national movie and TV scene. Most notably, she has won over critics and audiences thanks to her bright roles in productions for the younger public and in popular comedies, including the Netflix series “Curon”, where we rediscovered her in 2020.
Recently she has been part of the cast of the successful RAI 2 series “Volevo fare la Rockstar”, but also of “Le Fate ignoranti” (“The Ignorant Angels”) based on the iconic Ozpetek movie.

Anna Ferzetti series
Dress Alessandro Vigilante
Anna Ferzetti tv
Dress jacket Valentino, boots Giuseppe Zanotti, rings Chiara BCN


Talent Anna Ferzetti

Photographer Davide Musto

Ph. assistant Valentina Ciampaglia

Stylist Nick Cerioni

Fashion assistants Michele Potenza, Salvatore Pezzella, Noemi Managò

Make-up Michele Mancaniello for #SimoneBelliAgency

Hair Simona Imperioli

Opening image: dress Alessandro Vigilante

Music, psychology, fiction and cinema: the different faces of Laura Adriani

Big eyes, intense gaze, a nervous physicality but with a touch of a dancer’s grace that makes her different from the classic stereotype on which most actresses of Italian scene are modeled, always slaves to a conventional idea of sensuality: this is Laura Adriani, Roman and yet looks a bit like some French girls, wearing something restless and tormented, terribly sexy.

She started when she was very young and she’s not 28 yet. She has starred in about ten films, often directed by quality directors such as Giuseppe Piccioni in Questi giorni and Silvio Soldini in Il colore nascosto delle cose. Above all, Laura has worked a lot in television, in small and medium roles in many TV dramas, a career without flashes but solid, more like a marathon runner than a sprinter, and this responds to her decisive, balanced personality.

We have just seen her in Cuori, Auditel champion series on Rai 1, we find her again in A casa tutti bene, reboot of Gabriele Muccino’s 2018 blockbuster film. The eight episodes, written and directed by the same director, are airing on Sky and streaming on NOW from yesterday December 20. The character played by Laura Adriani is Ginevra, second wife of Carlo (Francesco Scianna) eldest son of the Ristuccia family, a family of successful restaurateurs seen from the outside, highly dysfunctional family from the inside.

A sticky girl, Ginevra.

“She is, poor girl. She’s younger than her husband and he’s still very attached to his first wife (played by Euridice Axen, editor’s note), a very self-confident woman, very centered. But, you will see, in the course of the series, Ginevra will evolve and will reveal herself to be much more interesting than she seems at first sight”.

Now she seems to me a victim of a terrible retrospective jealousy. Are you also jealous in life?

“Not very much. I’m generally tolerant of human weaknesses. Betrayals are part of life. And of love. You cheat if you love, so everything is much more complicated. There are no black and whites. I’ve betrayed and I’ve been betrayed. I think, sooner or later, it can happen to everyone.”

I think Ginevra is so jealous of Carlo’s first wife partly because she was his mistress before he separated. She knows he is a potential cheater and is afraid of finding herself an “injured party.”

“I hadn’t thought about it, but I think you’re right. The truth is that this family is terribly conflicted and the moment she chose to stay with this man, she is in the middle of all their contradictions. But again, the further the series goes, the more surprising Geneva’s story arc will be.”

I’ll gladly wait, the series is a very successful family drama. But let’s go back to you. You’ve taken part in very popular, indeed national-popular series such as I Cesaroni. What memories do you have?

“I was young, still not very aware of many things. I had fun, I learned a lot, and if I think about it, it was an exciting and above all decisive period of my life”.

You graduated in Psychology. I gather that if you hadn’t been an actress, you would have been a psychologist.

“Yes, I think so. And anyway, as a second job, I already do it a little bit, in the sense that having studied these things turned out to be a really useful background in my job as an actress.”

Is the world of show business full of neurotics? Are sets psychodramas even offstage?

“A little bit, yes (laughs, ed.). And then having a background in psychology helps a lot to understand the characters, to study the dynamics with others, it is a really useful background”.

In the workplace, everyone has a role. For many years, you were the little one, the mascot. What was that like?

“I admit it wasn’t always easy. I felt a bit crushed, intimidated by the presence of the adult actors. Now it’s different, also because I get more relevant roles, for example I’m shooting a new series with Francesco Arca that will probably be called L’ultimo spettacolo and here I’m the female protagonist. For me, what counts is trying to establish an equal relationship with everyone. Once, on the set, we were crazed with heat, I asked for water, someone from the production team offered to fetch it for me, and I made it a point to say that they had to bring it to everyone, not just to me”.

It’s no longer a time for stardom.

“Not at all. This is a collective work, no one should feel left behind because they have fewer lines than someone else or because their name is not at the top of the title”.

You are also a singer, you participated in Ti lascio una canzone and you teach in the musical theatre school founded by your brother Daniele, who is a tenor.

“My brother is a real singer. I only studied singing; I don’t call myself a singer. The school is in Acilia, I led a course of acting, the students are young people and children, we put on many musicals, it is a beautiful experience and very enriching for those who teach.”

Don’t you want to get into musicals?

“I’ve done it before, actually. I played a musical called Next to Normal a few years ago. I loved it so much because, within a seemingly light genre like the musical, it dealt with the subject of bipolar disorders. It was a brilliant and profound show that, not surprisingly, won the Pulitzer Prize in America.”

Would you still do a musical?

“The problem is that in Italy, the repertoire of musicals is very limited. They always do the same things, rarely take risks with innovative texts like Next to Normal. There would be many other super interesting ones to adapt for Italy, but here we prefer to do Grease for the millionth time. Nothing against Grease, but it’s not for me”.

Video director: Federico Cianferoni 

Music: Iskander

Art Director & Photographer: Davide Musto

Styling: Andreas Mercante

Styling assistantValentina Calicchio

Ph. Ass. Dario Tucci – Valentina Ciampaglia – Riccardo Albanese

Fashion Editor: Alfredo Fabrizio 

Ass. Fashion Editor: Federica Mele

Hair e make upLaura Casato, Eleonora Mantovani @simonebellimakeup

Location: Coho Loft – Roma

Highlights From Venice Film Festival

A special portfolio from the 78th annual Venice International Film Festival was captured by Riccardo Ghilardi. A selection of the most recognized and popular actors, actresses, film directors, and new up&coming talents during the days of the last Venice Film Festival. Riccardo Ghilardi is a photographer specialized in celebrities’ portraits and with a strong passion for reportage and social environment projects. His works have been featured in many exhibitions at MAXXI – Museo delle Arti del XXI secolo and Cinecittà.

His last exhibition “Prove di libertà”, about the lockdown of Italian cinema was held at the last Venice Film Festival.

Cover: Milena Smit – Film Madre Paralesas of Pedro Almodovar

Actress Anamaria Vartolomei – Film “ L’Evenement” by Audrey Diwan, film winner of the Golden Lion Venice 78